Schoeps KMIT Colette Shotgun Microphone Capsule
Introducing the KMIT, Schoeps' latest in the shotgun microphone space. Part of the ever popular Colette series, the KMIT is derived directly from the CMIT series, inheriting the same acoustical qualities such as high directivity combined with low colouration of lateral-incident sound, and very smoothly increasing directivity at higher frequencies. The KMIT, CMIT 5 and MiniCMIT can be interchanged without altering the sound.
The KMIT is compatible with all amplifiers of the Colette series, e.g. with the current analog amplifiers CMC6 and CMC 1 as well as the digital amplifier CMD42. Thus, Schoeps now offers for the first time a digital shotgun microphone that can be controlled via the Remote App. (iOS & Android)
Schoeps offer the KMIT Microphone separately, or as a Mono Set with a CMD 42, or Mono Set with a CMC 1 U amplifier.
Features
- Shotgun microphone capsule for the Colette series
- Acoustical characteristics identical to those of the CMIT 5 and MiniCMIT
- Compatible with all the Colette-series Amplifiers, e.g. CMC 1, CMC 6 & 6XT, CMD42 and CMC 5
- Steep, integrated low-cut filter (ca. 70 Hz)
- Immune to moisture
- Includes W 140 foam windscreen
- Available in two seperate Mono Sets with either CMD 42 or CMC 1 U amplifiers.
Practice
The KMIT's sound quality is the same as that of the CMIT 5/MiniCMIT, apart from slight differences in high-pass filtering that depend on which amplifier is being used. The choice among CMC 6, CMC 1 U/L or CMD 42 will mostly be determined by practical circumstances - the size and weight of the setup, and the availability of an AES42 input.
Among the analog amplifiers, Schoeps generally recommends the CMC 1 due to its small size, optimal interference protection, and high maximum sound levels. The CMC 1 L amplifier with miniature Lemo connector allows for an especially compact setup; the CMC 1 U has a somewhat longer, standard XLR connector. The CMC 6 amplifier is likewise compatible - and with the CMC 6 xt version, signals up to 40 kHz can be recorded for "downpitching" sound-design applications.
The digital CMD 42 amplifier offers the greatest number of options, but requires an AES42 input. The CMD's Remote App (available free of charge for iOS or Android phones) allows all three filters of the CMIT 5 to be enabled in the CMD 42 as well.
The built-in, steep high-pass filter allows the KMIT to be used unproblematically on a boom. The steepest cutoff occurs when a CMC 1 is used; the CMC 42 offers a further, additional high-pass filter with an adjustable cutoff frequency.
Compatibility
- Schoeps CMD 42 Preamplifier
- Schoeps CMC 1 U Preamplifier
- Cinela (E-)OSIX series
- Cinela COSI
- Cinela Pianissimo PIANI-1
- Cinela PIANO PIA-1
- Radius RAD series
- Rycote InVision series
Hire Equipment
We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
Weekly Rental
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
Shipping
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Cancellations
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Insurance
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
