Monday - Friday 9:00AM - 5:30PM
Saturday - Sunday Closed
Everything Audio Ltd 7A, Elstree Film Studios Shenley Road Borehamwood Hertfordshire WD6 1JG
We stock a wide variety of mixer / recorders to suit any senario you may have out in the field, on-set or even at home! These products include audio recorders & mixers, fader panels, preamps and portable mixers.
Mixer / Recorders come in different sizes and configurations, from small handheld devices with a one or two channels, to sound bag-sized larger units with dozens of channels and some pretty advanced features.
These products are designed to be portable and easy to use, allowing sound professionals to capture and mix high-quality audio recordings on location with ease. They often include features such as timecode functionality, auto-mixing, 32bit float, and advanced routing options to provide maximum flexibility and control.
We offer a variety of different types of microphones, each with it's own unique characteristics and uses.
Shotgun microphones are commonly used for capturing dialogue, mounted on a boom-pole or a camera, while lavalier microphones are often used for their discreet size, making them great for hiding on talent, while still providing fantastic vocal clarity. Handheld microphones are useful for live performances and interviews, while boundary microphones can capture sound in larger spaces, such as conference rooms or in-car conversations.
Various microphone accessories can help with the environmental and acoustic issues while on location. We provide a wide array of wind protection and microphone suspensions to eliminate unwanted noise, allowing sound professionals to capture clear and quality audio that is critical to the success of any production.
Consumables are widely used in the film and TV industry, and are often overlooked, but are crucial for ensuring the smooth running of productions and the delivery of high-quality audio. Consumables are key items to minimise dialog replacement in post-production.
Tapes and adhesives are used to secure microphones and cables to actors and equipment. Straps and pouches to comfortably and safely mount wireless transmitters, while stickies provide a secure, invisible attachment for lavalier microphones. Noise dampening products help to reduce unwanted set noise such as footsteps, while cleaning and sanitation products keep equipment clean and hygienic. Finally, lavalier mounting and wind reduction solutions are used to minimize wind noise and keep lavalier microphones securely in place, and hidden.
Timecode solutions are a way to stay in sync. These products include timecode generators, sync boxes, slates, receivers, and purpose made cables that interface these products between cameras, wireless systems and recorders / mixers.
Timecode is a signal that assigns a unique time reference to each frame of video and audio, allowing for precise synchronization during post-production.
Timecode generators and slates are often used at the beginning of each take to ensure that all devices are in sync, while timecode receivers allow for wireless synchronisation of devices. Timecode equipment is also useful for post-production workflows, where it is used to synchronise footage from multiple cameras and audio recordings.
We stock a wide variety of powering solutions that are essential to the sound department for the film and TV industry. These products include rechargeable batteries, battery chargers, power supplies, and power distribution systems.
Soundies rely on these products to power their equipment, such as wireless systems, portable recorders, and mixers. High-quality batteries and power management systems ensure that sound professionals have a consistent and reliable power source throughout long shoots, allowing them to capture clear and uninterrupted audio.
With advancements in technology, many products in this category are now lighter and longer-lasting and even more environmentally friendly, thanks to higher capacity and rechargeable batteries.
1 x CUB-01 XLR Microphone2 x Rubber Bases1 x Foam Windscreen1 x Protective Vinyl Case
Offers a totally new design‐ a Sanken original ‐ which overcomes the limitations of previous boundary microphones, producing an extremely rich and full bodied sound in a much smaller package. Although very small (1.26″ diameter, .5″ tall), and weighing only 1.6oz., the sound is superior to much larger boundary types.
The CUB‐01 is designed for use in many situations like film and televison production on set or on location, in a conference room, or on a podium. Especially effective in an automobile, this microphone has become a favorite for production professionals.
Most boundary microphones have almost the same sound characteristics, heard as “thin,” “solid,” and “metallic.” Using Sanken’s advanced technology, the CUB-01 has resolved this problem with its unique square-shaped cardioid capsule. This proprietary design significantly enlarges the effective area of the diaphragm, resulting in a boundary microphone whose sound is rich and natural, with a flat response to 70Hz.
With the CUB-01 it is now possible to capture a full bodied and clear sound. Narration and dialogue are clearly caught while excluding unnecessary background noise. Sanken’s revolutionary design has also eliminated the artificial need to overdesign the acoustic construction to create cardioid directivity.
Engineered for use in many situations, from TV and film field shooting to broadcast studio production and conference table recording, the CUB-01 departs from the common design of the boundary mic, which typically requires a large, heavy plate. By comparison, the CUB-01 is unbelievably small (32mm diameter, 12mm height, 45g weight) and light.
Because of its size, it is easy to conceal from the camera, and can be positioned in a variety of environments – for example, attached to the ceiling of a car with two-sided sticky tape. The CUB-01 is available in gray or beige and in two versions – the standard high performance CUB-01 which runs on 48 volt phantom and the CUB-01-PT (pigtail) version. The PT version will operate on 3 to 10 VDC for wireless applications.
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We have an extensive inventory of audio equipment for hire with competitive rates ready at a moment's notice. We pay the most meticulous attention to detail in our hire prep so you can travel to shoots with the peace of mind that you have everything you need.
For weekly rental, you can pick up your gear the day before your production shoot after 3:00pm, and return by 10:00am after your shoot day. In the case of 7 day rental, you will only be charged for 4 billing days.
If shipping is required, we require a two day minimum hire period, with a travel day inbetween.
Orders can be cancelled for free up to 24 hours before pick up date, any notice within 24 hours of the pick up date will be charged a prep fee of 25% of the total amount.
Customers will provide a certificate of insurance listing Everything Audio as "loss payee" and "additional insured".
